LIVE: The TV Blog

LIVE: The TV Blog

ABC and CBS fall shows worth watching (if you trust the trailers)

May 16, 2012 , ι MAXINE SHEN

The big four have finally finished officially announcing their fall 2012 TV season. Here's a look at the ABC and CBS series that might just be worth checking out this fall, assuming the trailers and behind-the-scenes clips aren't just the best bits of the pilots and its downhill from there.
	 
"Last Resort" (ABC):It may be the most ridiculous idea on TV at the moment - a nuclear sub that goes rogue and starts an independent nation - but this trailer is so jam-packed with action and tense drama, that the series might somehow rise above the ludicrous plotline.
	 
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"666 Park Avenue"
	 (ABC): Superficially, this seems like "Rosemary's Baby," with sexier people, but it may be closer to "The Devil's Advocate" once you actually find out why the (haunted) building owners are so interested in new tenant Henry Martin (Dave Annable) and his girlfriend, Jane Van Veen (Rachael Taylor). Looks like this could be a lot of fun, plus it's got Vanessa Williams in it, so you can expect plenty of opportunities that require her famous eyebrow raise.
	 
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"Zero Hour" (ABC):First off, it's the return of Anthony Edwards to series TV! This show, about a paranormal magazine publisher on the hunt for his kidnapped wife, seems to shamelessly be ripping off "Hellboy, "Captain America" and even (a little) "Grimm," with the whole hidden Nazi paranormal research business, but it's OK because those movies and that TV show are highly entertaining. Plus, this series adds an extra religious conspiracy layer to keep things mildly fresh. At least on TV.
	 
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"Partners" (CBS): This show - about a gay man (Michael Urie) and his straight BFF (David Krumholtz), attempts absolutely nothing new, considering it's from the creators of "Will & Grace." But Michael Urie is just such a delightful comic actor and David Krumholtz has excellent timing, so at the very least, you know you're getting good acting out of the show, even if you've seen it before.
	 
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"Elementary" (CBS): Yes, yes, controversy over how this show is nothing but a shameless rip-off of the BBC's "Sherlock." If you can somehow manage to set that ire aside, though, you'll see that there is quite a bit of promise in this show. Jonny Lee Miller's Sherlock is different - he's a recovering drug addict with an almost manic kind of behavior - and Lucy Liu as Joan Watson, his sober companion, really works here.
	 
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Fox and NBC fall shows worth watching (if you trust the trailers)

May 14, 2012 , ι MAXINE SHEN

To the surprise of almost nobody - since this info pretty much leaked out last week - Fox and NBC have announced the new series that they've officially picked up for the fall and later next year. Here's a look at the fall shows that are most likely to be worth your time, based purely on the trailers for the shows that the networks have released.
	 
"Ben & Kate" (Fox): Reasons to watch this "heartwarming" comedy about a grown up sister (Dakota Johnson) and reluctant to mature brother (Nat Faxon) include the amazing comedic ability of co-star Lucy Punch, Kate's uber sweet daughter (played by Maggie Jones) and comedy bits like a botched three-point turn and tripping over a drumset.
	 
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"The Goodwin Games"
	 (Fox): The main reason to watch this single-camera comedy is Amanda's - aka "Ugly Betty's" Becki Newton - to series TV. She is pretty much perfect as the super smart middle child who's thrown it all away to be a cocktail waitress. Scott Foley, as the over-achieving, bratty older brother is spot on, too.
	 
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Fox's "
	 The Following" isn't going to premiere until midseason (thanks to star Kevin Bacon's apparent refusal to shoot more than 16 episodes), but this is going to be a definite must watch. It's from Kevin Williamson, who knows how to create suspense if you give him a chance, and Bacon is spot-on as an FBI agent on a mission. Plus, serial killer!
	 See for yourself.
	 
"Revolution" (NBC): This apocalyptic drama feels like "The Matrix"-meets-"The Hunger Games." So, unless something goes terribly, terribly wrong, it's pretty much guaranteed to be awesome. Added incentive to watch include what's likely to be impressive fight scenes and the fact that "Supernatural" creator Eric Kripke and (feels like) every show on TV creator JJ Abrams collaborated on this.
	 
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"Guys with Kids" (NBC): Thirty-something dudes, messing around, trying to take care of their babies and talking about it, is just funny. (Please
	 see the trailer for "What to Expect When You're Expecting" for proof - the dudes in the park are what sell the movie.) Anthony Anderson is a solid bet for comedy gold and he's already made this type of character work in "The Backup Plan."
	 

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"Animal Practice"(NBC): Some people have described this as being "House" with animals. Some people might be very close to being right.
	 
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Mad Men recap: Big fat truths

May 14, 2012 , ι Nicole Homewood

This week's episode, ominously called "Dark Shadows," focuses on the weighty aspects of life, and we're not just talking about Betty and her Reddi-wip fetish. She's back, and she's got a food scale.
	 
A noticeably slimmer (but not yet back to pre-divorce emaciated) Betty weighs her bird food in the dark as the episode opens. She looks oddly pleased with herself, like weighing those cheese cubes is just the trick to reversing her shame spiral.
	 
And since we're feeling better about ourselves, Pete brags to Bert, Roger and Don that the New York Times wants to interview him for a story on hip new ad agencies like theirs, renewing Roger's distaste for weasel. Don flips through recent work to put together a pitch and seems disturbed that Peggy -- and especially Ginsburg's -- names are on everything. This plays nicely into the recurrent theme that Don (1) hasn't done much in terms of work in some time, and (2) Don is getting old while these whippersnappers are running the show.
	 
Bert feeds Roger a lead because the potential client is Jewish -- and hey, so is Roger's wife, Jane. Except Roger has to explain he and Jane are divorcing (he leaves out the part about how the LSD made him do it). Roger in turn goes to Ginsburg and asks him to keep a secret ("No.") and come up with a pitch ("Before sundown on Friday. I've been taking notes.") for Manischewitz. Ginsburg doesn't understand why Roger wants this so badly, so Roger explains, "When a man hates another man, very, very much, sometimes he wants to know something is his, even if in the end, he has to give it up." Since Roger's pockets are apparently weighing him down, Ginsburg convinces him to give him $200 for the effort.
	 
Megan, stay-at-home-actress, teaches a captivated Sally how to cry on cue. "Just keep them wide open and think about something that makes you sad." Among the other things Megan can teach Sally: how to speak French; looking put together while barefoot; eating ice cream sarcastically; one-pot meals; keeping house in your underwear; hiding teeth; securing marriage proposals from the boss; and burlesque dancing for drunk/amused/embarrassed crowds.
	 
Don heads to the office, suddenly motivated, and snoops in a folder called "Sh*t I Gotta Do" that belongs to Ginsburg. He spots his doodles for the SnoBall campaign (missing on this list are any references to ego rehabilitation or contact with the Mother Ship). While picking up the kids after the obligatory weekend with dad, Betty also finds herself snooping -- this time around Don and Megan's apartment. She catches a glimpse of slender Megan getting dressed in the next room and looks downtrodden. Megan gives the kids awkward new-stepmom kisses and off they go. This episode is enough to flush Betty right back into her bad habits, squirting a ton of Reddi-wip into her mouth once she's in the privacy of her dark kitchen. Thankfully she spits it out, and we see why when she shows up at a Weight Watchers meeting. She admits she had a bad week after being in an "uncomfortable place," which pretty much describes Betty's entire life.
	 
Peggy and Ginsburg pitch their ideas for SnoBall to Don, and Don contributes one of his own that has to do with the devil and a snowball's chance in hell. Everyone seems to agree that Ginsburg's SnoBall in-the-face ad is better, but that doesn't stop desperate Don from leaving Ginsburg's board in the cab when they go to actually meet the clients.
	 
On yet another dark night in the Francis kitchen, Betty comes upon Henry making what looks like a cow chip in the frying pan late one night. Sad sack Henry admits he's tired of eating fish every night, and besides that, his job is at a dead-end so he's resorted to eating dried cow dung. Betty calls it a setback and reiterates that she's there to help him figure out what's next, like maybe more Reddi-wip.
	 
Roger pleads with Jane to join him at his client dinner, which she agrees to so long as he buys her a new apartment. Roger has no control over his life anymore, despite whatever good vibes he got from his LSD trip. Pete dreams that his new forbidden paramour, Rory Gilmore, will walk in and take off her coat and be naked for him in his office, but of course this does not (yet) come to pass.
	 
Mom of the Year Betty helps her kids with their homework, taking note of her son's drawing of a picture of a whale with harpoons in its back, which obviously is about her. Then when Sally asks where to add Megan and Henry to the dysfunctional family tree she's creating, Betty says she can put Megan next to Don, but she tells her not to leave out Don's first wife, Anna! Sally is angry to hear her pops was married before Betty, and Sally takes it out on Megan for not telling her sooner, and then Don takes it out on Megan for saying anything about it at all -- and if everyone were smart, they'd just take it out on Betty and shove the Reddi-wip in her face.
	 
Pete calls Don on Sunday morning, all upset because the Times article came out with nary a mention of his name or of SDCP. When Pete says Don should take more of an interest in his work, Don tells him to bugger off, because it's Sunday -- Sundays, as we all know, are for confronting your young smart-mouth daughter about what she knows about your first wife. Don asks Sally if she has something she wants to ask him and then takes care to explain that Betty was only trying to use her against him. "You should realize that your mother doesn't care about hurting you." He gently explains that he and Anna were married because of the law and that Anna's taking the dirt nap, and Sally puts it together and realizes that's whose house they went to in California way back when. Later, Betty praises Sally for her great grade on her family tree project, and quizzes her about what she learned about Anna. Sally lies and rubs it in her face, saying she got to see photos of Anna and everything.
	 
There's something in the air in the elevators at SCDP, because Peggy decides to thrash Roger, upset that he chose Ginsburg to do the Manischewitz pitch instead of her. "Were we married?" snaps Roger. That evening, Roger and Jane woo the clients, and when their attractive son shows up, Jane seems ready to woo him. But Roger escorts her back to her new Roger-funded digs, and then in spite of her being upset with him, she kisses him, tells him to stop, and then continues. The next morning she tells him he's ruined everything yet again.
	 
Ginsburg learns that SnoBall loved Don's devil campaign and that his idea was currently riding around Manhattan. Ginsburg squeezes into an elevator with Don to antagonize him about the ad. "I feel bad for you," he sneers. "I don't think of you at all," responds Don. Winner! Megan slops up some jellied cranberry sauce and sets the table and Thanksgiving is officially here. What a load off.
	 
And for next week: where is Joan? When will she spill the beans (Heinz, of course) about sending her husband packing? Is Betty willing to swap Reddi-wip for Cool Whip? JUST TASTE IT!

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'Girls' recap: Episode 5

May 13, 2012 , ι By KATE STOREY

This week's "Girls" was all about breakups ... well, breakups and weird sex, but mostly breakups. Last week ended with Charlie and Ray performing an entry from Hannah's journal, which was full of... Read on

HBOMarnie and Charlie deal with the fallout of Charlie reading Hannah's journal.

This week's "Girls" was all about breakups ... well, breakups and weird sex, but mostly breakups.
	 
Last week ended with Charlie and Ray performing an entry from Hannah's journal, which was full of observations about Charlie's "smothering love." This week starts with Charlie demanding Hannah read her journal (she defends that it's more of a notebook than a journal, as it contains notes for her book) to Marnie, then storming out. (Love the framed illustration of the piece of cake in their apartment. Carrie Bradshaw had an illustration of a purse in her apartment, of course Hannah would have cake.) Marnie, who has clearly not been happy in her relationship with Charlie, then tracks down Ray to get Charlie's address (because she has never been to his apartment) so she can pull the look-how-hot-I-am-in-this-party-dress-I'd-never-wear-other-than-to-get-you-back move. Not surprisingly, Charlie, he of no spine, falls for it. He points out that she is not in love with him and that he is with her because he "chose her," not because he wants to be with her anymore.
	 
There is a flashback to their time at Oberlin in 2007 when Marnie and Charlie first met. Marnie had some terrible bangs and was on a bad drug trip. Hannah leaves her to go dance with her ex-boyfriend to Scissor Sisters, the ex-boyfriend that we now know to be gay.
	 
Back to present day, Charlie and Marnie get back together on the terms of her being nicer to his friends and acknowledging that he has a life of his own. Shoot for the moon there, Charlie. Then, while having sex in his homemade loft (Charlie has turned his studio into one of those weird frat-house lofts with a forest's worth of pine compartments), Marnie realizes that although she won him back, it's not what she wanted at all, and breaks up with him. I have a feeling this breakup still isn't over.
	 
Hannah somehow manages to out-pathetic herself by propositioning her boss. She tells him that this is his chance to live out his fantasy of sleeping with her, a fantasy she is sure he has because he is always touching her (and everyone else, Hannah) inappropriately. When he tells her he is married and not interested, she then threatens to sue him for sexual harassment (a threat which he laughs off) and finally quits. She heads over to Adam's.
	 
Adam, who apparently doesn't own shirts, turns down her advance because, "these things have an expiration date: six months or until someone stops having fun." When Hannah insists she's still having fun, he counters, "No you're not, you're all secretly sad." Hannah goes to the bathroom and it seems to hit her that he really is not interested in dating her, then she comes out to find him pleasuring himself. Things get all kinds of weird when he asks her to degrade him and take his money while he does so. How much longer can this go on?
	 
Jessa meets up with an ex-boyfriend who tells her he is happy with a new girlfriend and not interested in sleeping with her. Then they go back to her apartment to hook up. In their haste, they don't notice poor, virginal Shoshanna there. She hides in the closet and watches with an expression that seems to indicate both horror and curiosity. Then Jessa giddily accuses her of being a pervert.

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WATCH: Meet 'The Voice' finalists

May 07, 2012 , ι Sean Daly

Juliet Simms could barely keep her eyes open when she arrived to perform for fans at Universal Citywalk in Los Angeles on Thursday.Simms -- one of just four contestants remaining on season two of... Read on

Juliet Simms could barely keep her eyes open when she arrived to perform for fans at Universal Citywalk in Los Angeles on Thursday.
	 
Simms -- one of just four contestants remaining on season two of "The Voice" -- had been in rehearsal until 2:00 a.m. the night before and was operating on just two hours of sleep.
	 
"This morning is the most challenging part (of the competition)," she told The Post before taking the stage. "I do well under pressure, but I am just trying to summon up all of the energy I have in me to pull through."
	 
Simms, a 25 year-old rocker from northern California, admits the past week has been so hectic she still hadn't picked out a song to perform on the show's live two hour finale Monday night.
	 
"The Voice" -- which crowns its winner on Tuesday -- features "teams" of artists, mentored by Grammy winners Cee Lo Green, Blake Shelton, Adam Levine and Christina Aguilera.
	 
This year's finalists are:
	 
Simms (Team Cee Lo): Juliet was just 16 when she embarked on her first cross country tour of bars and nightclubs -- so her mother had to chaperone. "I have been on stage my entire life," says Juliet, who is now the lead singer of a band called Automatic Loveletter and dates Black Veil Brides vocalist Andy Biersack.
	 
Tony Lucca (Team Adam):The father of two spent four years along side Christina Aguilera on "The Mickey Mouse Club." But lately it appears the Grammy winner has been trying to get him booted from the show. She called one recent performance "one dimensional" and encouraged Levine to advance his competitor, Katrina Parker to the finals. "She's the real star," Aguilera said.
	 
Chris Mann (Team Christina): A trained opera singer, Mann has reached the finals of the competition by performing an inspired version of "Ave Maria." Chris -- who was born and raised in Wichita, Kansas -- turned 30 on Saturday.
	 
Jermaine Paul (Team Blake):A long-time backup singer for Alicia Keys, Paul got his first record deal with Shaquille O'Neal's label in 1997. The father of two turned down a basketball scholarship from Syracuse University to pursue his dream of becoming a music star.
	 
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'Girls' recap: Episode 4

May 06, 2012 , ι By KATE STOREY

Hannah is one of those girls who is hard to be friends with. You know you're only seeing a sliver of the patheticness happening in her relationship. You know she doesn't really want your advice even... Read on

HBOHannah (Lena Dunham) finds a new job on HBO's "Girls" -- and has to deal with a hands-on boss.

Hannah is one of those girls who is hard to be friends with. You know you're only seeing a sliver of the patheticness happening in her relationship. You know she doesn't really want your advice even though she asks for it. You just have to take a step back and let her figure it out.
	 
Tonight's "Girls" begins with that modern marvel, the phallus photo. Hannah shows Marnie and Charlie Adam's sext through her broken iPhone screen (nice touch). After a chorus of "Oh my God"s, another text comes through. "SRY that wasn't for you." Logical friend Marnie responds, "What are you doing? Don't respond to that." Hannah doesn't understand why she wouldn't. "If there was another girl, he would never be this obvious about it." Marnie tells Hannah she is smarter than this and, many times again, not to respond. As soon as Hannah is alone with her phone, she sexts him right back. See? It is so much worse than you know, Marnie.
	 
We also learn this week that in spite of her terrible interview skills that Hannah found a job. And her new boss is handsy. Her two female coworkers tell her she will "get used to" Rich's line-crossing massages. "I know it's gross, but he's really nice, and he got Tommy health insurance," Leslie tells her. They then proceed to give Hannah's patchy eyebrows a makeover, leaving her looking like "Seinfeld's" Uncle Leo with the Sharpie'd-on brows for the rest of the episode.
	 
Back at the apartment, Marnie's boyfriend Charlie and their opium-enthusiast friend, Ray, work on a new song. Once they perfect their ballad to a Keds-wearer, they snoop around the girls' apartment and find Hannah's journal. It turns out to be the just the inspiration they needed. Later that night at their show in Bushwick, Charlie dedicates the song to his "g-friend" (cringe) and her friend Hannah. "Marnie has to stop whining and break up with him already. He'll find someone else, someone who appreciates his kind of smothering love," he quotes. Marnie throws her drink on Hannah and storms off. We look forward to some good, old-fashioned roommate silent treatment next week.
	 
On the Jessa front, she solidifies her self-centeredness by losing the kids she is babysitting and continuing to flirt with their dad.
	 
And on the Shoshanna front, she runs into a guy she knew from camp and almost rids herself of that pesky virginity until he find out she is a v-card-holder and tells her,"Virgins just really aren't my thing."

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WATCH: First look at Howard Stern on 'America's Got Talent'

May 04, 2012 , ι Sean Daly

High flying acrobats, flaming pianos, and a martial artist in a gorilla suit... It must be time for "America's Got Talent!"Howard Stern begins his search for the best new acts in America in just ten... Read on

High flying acrobats, flaming pianos, and a martial artist in a gorilla suit... It must be time for "America's Got Talent!"
	 
Howard Stern begins his search for the best new acts in America in just ten days -- and The Post has a first look at some of the hopefuls he will come face to face with.
	 
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As usual, the King of All Media is rarely at a loss for words. He even tells four busty, bikini-clad dancers: "At least if your implants had exploded, we would have had excitement!"
	 
But Stern and fellow judges Sharon Osbourne and Howie Mandel are blown away by a blind folded mind-reader and an "extreme contortionist dancer" who they met in San Francisco.
	 
Check out more in the video below.
	 
"America's Got Talent" premieres Monday May 14 on NBC.

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'Grimm' cast talks favorite episodes and finale in video

May 04, 2012 , ι MAXINE SHEN

"Grimm" fans, here's a little video of the main cast members talking about their favorite episodes of the season - "Game Ogre" was oft name-checked - fans pilgrimaging to Portland and a little hint... Read on

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Singing sarcoma blues: Constantine Maroulis raises $$$

May 01, 2012 , ι POST STAFF REPORT

Former “American Idol” finalist Constantine Maroulis — shown here rocking a fundraiser for the Sarcoma Foundation of America Monday night — has something to sing about.The movie version of his... Read on

Former “American Idol” finalist Constantine Maroulis — shown here rocking a fundraiser for the Sarcoma Foundation of America Monday night — has something to sing about.
	 
The movie version of his Broadway show, “Rock of Ages,” opens in mid-June.
	 
The Sarcoma Foundation event — which raises money to privately fund research into a cure for all types of sarcoma, a rare form of cancer that usually attacks connective tissues like bone and muscle — has become a magnet for show business and media people in the last couple of years.
	 
The disease strikes people of all ages but is more prevalent among young people under 35. Because it is so rare, it has not drawn much attention among researchers until lately.
	 
Mark Herzlich, the NY Giants linebacker who came back from Ewing's Sarcoma while in college, and WNYW/Fox 5 reporter Julie Chang emceed the event, along with Elise Testone, the "Idol" contestant from this season, who was just eliminated.

Constantine Maroulis at the Sarcoma Foundation gala.

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'Mad Men' recap: Fly away Sally

April 30, 2012 , ι By Nicole Homewood

Our favorite disaster-in-progress Sally Draper is on the fast-track to Junkiehookertown in this episode. She's taken to chatting up her old pal Creepy Glenn on the phone while he's stashed away at some sort of poor man's boarding school where they play dorm hallway hockey with lacrosse wickets and soccer balls. As they talk, her step-grandmother of doom trips over the phone cord and hurts her ankle, so Sally calls for help.
	 
Meanwhile, Don and Megan are in Manhattan hosting her French-Canadian parents for a spell. Monsieur Zhou-Bisou-Bisou is a grouchy, Communist professor of sorts, and Madame Zhou-Bisou-Bisou is clearly unhappy in her marriage because she's undressing Don with her eyes. Don is due to receive an award from the American Cancer Society people for his full-page, career-risking rejection of Lucky Strike, and they are in town to attend the dinner and generally act obnoxious. Sally and her brother head into Manhattan since step-grandma is now on the DL to have dinner with Don and the Zhou-Bisou-Bisous.
	 
The next day, Megan has an idea for the to-date impossible Heinz baked beans campaign that involves scenes of mothers serving baked beans to their children since the beginning of time and into the future. Don loves it, possibly because he can use it and still hasn't had to do any actual work (as Robert Cooper intimated in the last episode). So the creative team now has to shift to Megan's concept, which thrills them since she's schtooping the boss.
	 
Over cocktails, Roger tells his first wife Mona about his LSD trip, and he gets all insightful and psychoanalytical, which Mona seems to find charming. She agrees to help Roger mine her connections at Don's awards dinner for more business.
	 
Peggy confides to Joan that she suspects that her boyfriend Abe is ready to dump her because he's invited her to dinner on a work night and wouldn't take no for an answer. Joan gently explains that he's probably going to propose. "Men don't take the time to end things. They ignore you until you insist on a declaration of hate." This is why you take your man problems to Joan. She is such the wise sage.
	 
At dinner, though, Abe asks a very nicely dressed Peggy to move in with him - not quite the commitment she was expecting. She looks disappointed at first but quickly perks up and says yes, enthusiastically. Peggy's mom is not enthusiastic about this cohabitation with Jewish Abe. But Joan says she's proud of her, and that her decision was brave.
	 
Don, Ken, and their wives take the Mr. Heinz Pain in the Beans and his wife to dinner. In the restroom, Mrs. Beans implies to Megan that they're not getting the business. I got a kick out of Ken saying, mid-conversation, "Now there's no teeth, so nothing should change," as Megan returned to the table. Oh now there are teeth, and there will be change!
	 
Megan acts fast, whispers to Don that they're being fired, and they quickly launch into a wistful conversation/pitch about families eating beans at dinner. It is a success, and Mr. Beans gives it the go-ahead. The atmosphere at SCDP is celebratory the next day as Megan tells Peggy about her victory, assuming she might be upset because Pain in the Beans didn't like Peggy's campfire Beauty of Beans campaign idea, or her Bean Ballet idea for that matter. But Peggy is gracious and congratulates her, saying, "This is as good as this job gets. Savor it." Megan looks a little disappointed to hear this.
	 
Sally somehow convinces Don to let her go to the awards dinner, so she appears in her finest Megan-selected outfit, complete with sparkly mod dress, makeup and white go-go boots. Monsieur Zhou-Bisou-Bisou reminds an unnerved Don, "No matter what, one day your little girl will spread her legs and fly away." This is jarringly true. Don needs no such reminding.
	 
He tells her to ditch the makeup and the boots, and they head to the dinner, where she is Jolly Roger's "date." This is great fun, with Roger jokingly calling her a "mean drunk" and having her hold onto the business cards he collects. Don gets his award, but then everything turns south. Don finds out that the people at the dinner (potential clients) love his work but not him -- they see him as untrustworthy and disloyal for turning his back on Lucky Strike. Megan's dad tells her that he hates that she gave up on her dreams to be Mrs. Draper. And Sally catches Mme Zhou-Bisou-Bisou, um, Zhou-Bisou-Bisouing Roger in a private room. She is mortified.
	 
Later Glenn asks Sally how her night in the city was, and she responds, "Dirty." Oh dear. Talk about growing up too fast.
	 
Clearly Megan has big ambitions and is realizing that Don might be holding her back. What's her dream, anyway? And how long until Sally starts working the streets, or at least sneaking out of town to visit Creepy Glenn? Her eating disorder is now established (and seemingly accepted) - what's next?